The clowns have sentenced one of their partners to death, in an act of responsibility to stop the propagation of a deadly virus, laugh.
They look for a place for the public execution, a play area that allows harmony with hilarity, a point of view free from prejudice, honest, crass, pure and tough.
A comedy inspired by public executions.
An improbable crime, a suspicious trial and an absurd punishment.
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 The best of the worst, the cabaret is a crazy, absurd and unbridled cabaret directed by the national circus award Merche Ochoa. It is a rogue and wild show and adaptable to different spaces, from the most intimate cabaret to a great theater.
Inspired by the Spiegeltent style (wooden tents of the early twentieth century mainly in Central Europe), with touches of documentary theater, a series of characters parade recovering the worst moments of this modern clown, with live music, bourlesque and character creation.
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 [Breach (n): violation or infraction of a rule or law; rupture in a relationship; gap, rift, fissure. (Vt) Act of emerging to the surface.]
She’s humble and submissive. She’s strong and sometimes likes to be dominated in sex. She’s not been able to say no.
She didn’t say anything because she felt very embarrassed, she felt guilty; she isn’t even sure if she’s been really raped or abused.
A cry in silence and a memory in stand-by.
And who are they?
Let's begin to talk.
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 EZ is a project around pain, vulnerability, negotiation, consent, care. It explores the dynamics of power and the pact in place between the artist and the audience.
What happens when a human body is consensually tied, tortured and manipulated on stage? What reactions - physical, emotional and cognitive - occur in a person being manipulated, a person manipulationg and a person observing it? Is there a space for care? Can we laugh? How do we negotiate? What do we consent to without knowing?
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 NAQBA, is a circus and dance show about the process of death in a war and the realtionships between the people
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 Vicente, our main character, invites us kindly to his home, or perhaps we have entered without him taking any notice. Everything is completely ramshackle.
Once inside, we see Vicente running his daily routine, but this everyday panorama has nothing to do with what we could expect. Immediately he starts living hallucinatory experiences that make us travel from laughter to tears with extreme delicacy. We will discover along with him, that he used to be a great artist; will it be today when he digs out all of those things that gave him so much success. |
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What does it mean resist, keep, stay? What happens when the trapeze is a prolongation of the floor, and there is no differnce between this and the air?
When walk, dance, fall could happen in any state, place or time. The trapeze lose his identity as element, the game grows and there is no rule or correct form.
What happens when the body could not thing and is the instint who acts. The unic rule is to stay.
How is possible to be in this state in scene? Wich are the games where this could happen?
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